AMC Theaters will honor the late Diane Keaton, who passed away at 79, with a one-week nationwide rerelease of her beloved films Annie Hall and Something’s Gotta Give, offering fans an emotional final tribute to the iconic actress whose wit, warmth, and spirit forever changed Hollywood.

Hollywood is preparing one last standing ovation for Diane Keaton — the beloved actress whose wit, vulnerability, and singular charm defined generations of cinema.

Just days after her passing at the age of 79, AMC Theaters has announced a nationwide tribute to honor her life and legacy.

Starting Friday, October 17, two of her most iconic films — Annie Hall and Something’s Gotta Give — will return to more than 100 theaters across the United States for a special one-week engagement.

The screenings, organizers say, are meant to give fans “a chance to laugh, cry, and remember the woman who made both possible.”

Keaton, who died over the weekend at her Los Angeles home, leaves behind a cinematic legacy spanning five decades — one that blended quirkiness with intelligence, humor with heartbreak, and style with substance.

Known for her timeless turtlenecks, wide-brimmed hats, and self-deprecating humor, she became not just a movie star but a cultural icon.

Her sudden passing sent shockwaves through Hollywood, prompting tributes from co-stars, filmmakers, and fans around the world.

Woody Allen, her longtime collaborator and Annie Hall co-star, released a brief but emotional statement, calling her “a genius of comedic rhythm and human depth — no one else like her, before or since.”

AMC executives say the idea for the tribute screenings came together within hours of the news of her death.

“We wanted to do something immediate and meaningful,” said Marcus Dean, AMC’s VP of programming.

“Diane Keaton’s work wasn’t just entertainment — it shaped how audiences saw love, loneliness, and the courage to be yourself.

People need a space to feel that again, together.”

The two films chosen for the event reflect different eras of Keaton’s career.

Annie Hall (1977), which earned her an Academy Award for Best Actress, redefined romantic comedy with its mix of humor and melancholy — and remains one of the most quoted films in Hollywood history.

In contrast, Something’s Gotta Give (2003), starring Keaton opposite Jack Nicholson, reintroduced her to a new generation as a woman navigating romance, aging, and independence with unapologetic honesty.

The film not only brought her another Oscar nomination but also inspired a wave of romantic comedies about women over fifty — a category Hollywood had long ignored.

Friends close to Keaton say she had recently been reflecting on her career, spending time at her California ranch and working on a personal memoir that was, according to one insider, “filled with gratitude and old love letters she never sent.

” The actress, who famously never married, often joked about her independence in interviews, saying, “I never found the right man, but I did find the right life.”

Her last public appearance was in late August at the Telluride Film Festival, where she introduced a restored print of Reds (1981) and spoke warmly about her co-star and former partner, Warren Beatty.

“Movies come and go,” she told the audience, “but if you’re lucky, the people you made them with never really leave you.”

Following her death, several major streaming platforms — including Netflix and Max — reported a sharp spike in viewership of Keaton’s films.

Social media has been flooded with clips of her most memorable moments, from her first hesitant kiss with Alvy Singer in Annie Hall to her tearful laughter in Something’s Gotta Give.

Fans across generations are sharing personal tributes, calling her “the soul of every romantic comedy worth watching.”

AMC’s decision to bring her work back to the big screen is more than a business move — it’s a cultural gesture.

Film historians note that re-releasing classic films after an actor’s death is rare and typically reserved for icons like Audrey Hepburn or Robin Williams.

“It tells you how deeply Diane touched people,” said critic Elena Moss.

“She wasn’t just acting.

She was showing us how to live — awkwardly, beautifully, honestly.”

As tickets for the tribute screenings began selling out within hours of announcement, fans described the event as “a final date with Diane.

” Some theaters are planning post-show discussions and candlelight gatherings, where audiences will share memories and moments from her films.

For many, this cinematic farewell feels both too soon and perfectly fitting — a return to the light where Diane Keaton shone brightest.

As the lights dim and the first chords of It Had to Be You play across the screen, one thing is clear: she may have left this world, but her laughter, her warmth, and her unforgettable spirit will linger in every frame.