The Penguin Lessons Review — Steve Coogan Charms in Lovable “Man and His Animal Friend” Flick

Directed by Academy Award nominee Peter Cattaneo (The Full Monty) and written by Academy Award nominee Jeff Pope (Philomena), the Steve Coogan-starring dramedy The Penguin Lessons showcases a talented team both behind and in front of the camera, setting high expectations for its audience.

While it may not achieve the heights of greatness, those willing to overlook its shortcomings will find a lighthearted and charming film that captivates in its own right.

Based on Tom Michell’s memoir, The Penguin Lessons tells the story of an English schoolteacher at a boarding school in Argentina who adopts a penguin, transforming his life in unexpected ways.

The film, while following a familiar narrative path, manages to break free from its formula just enough to make it a worthwhile crowd-pleaser.

Despite its predictable elements, the heartwarming story of friendship and connection resonates strongly.

As an inspiring teacher drama akin to classics like Dead Poets Society or Stand and Deliver, The Penguin Lessons delivers a serviceable yet uninspired experience.

The titular lessons are imparted not by the teacher but rather learned through his interactions with the penguin.

While a few scenes highlight his unorthodox methods to engage with students, the film ultimately lacks depth in its portrayal of the students themselves, focusing more on the protagonist’s journey.

The film also incorporates elements of a political thriller, attempting to weave a more complex narrative against the backdrop of Argentina’s 1970s revolution, where military dictatorship clashes with the pursuit of democracy.

Although this aspect doesn’t always land, it earns points for ambition.

The exploration of freedom of speech feels particularly relevant in today’s political climate, even if the film doesn’t delve deeply enough into these themes.

What hampers The Penguin Lessons from fully realizing its potential in either genre is the lack of development for its supporting characters.

While a few students are given names and personalities, their roles primarily serve the narrative and the political commentary rather than enriching the overall story.

The political elements often revolve around a single character, who, despite being likable, embodies archetypes that border on misogynistic, as her existence largely supports the male protagonist’s arc.

Nonetheless, The Penguin Lessons succeeds in one significant area: as an adorable animal movie.

Penguins, with their inherent cuteness, steal the show.

The depiction of the protagonist’s bond with his avian friend is heartwarming and endearing.

Though there are numerous films featuring dogs or horses, the focus on a penguin offers a refreshing twist on the genre, making it stand out.

Steve Coogan’s performance is another highlight that elevates the film.

Collaborating once again with Pope, Coogan is given the opportunity to showcase his sensitive and dramatic side while maintaining the sarcastic humor that has endeared him to audiences.

His portrayal of Tom Michel allows him to shine, proving that he is more than capable of carrying a film that, despite its flaws, offers moments of genuine charm.

In the end, while The Penguin Lessons may not reach the heights of previous works by Coogan, Cattaneo, and Pope, it possesses enough charm to win over audiences.

It may not fulfill its ambitions of being a politically charged narrative, but as a dramedy about a man and his beloved penguin, it effectively brings smiles to viewers’ faces.

Some films are simply meant to entertain, and The Penguin Lessons succeeds in doing just that.