Benny The Butcher reignited his long-standing feud with Freddie Gibbs through a sharp and provocative diss track “Position of Power,” referencing a 2022 physical altercation and asserting his dominance in the rap game, leaving fans and critics eager to see if Gibbs will respond and what this means for both artists’ futures.
Benny The Butcher has officially turned up the heat in one of hip-hop’s most long-simmering feuds, taking direct aim at fellow rapper Freddie Gibbs in his new track “Position of Power,” released on June 28, 2025.
The track, which also features rising names Austin Sour and Rain910, is already sparking widespread reaction across the rap community for its unapologetically aggressive bars and its clear references to a real-life altercation that has haunted both rappers since 2022.
On the track, Benny raps: “Rumors back home that we took some jewels / Some sht that don’t even cost a ‘B’ on my chain / Benny The Butcher the reason these rappers can’t eat in this lane.”
The lines immediately drew attention, not only for their lyrical sharpness but also for what they alluded to—an alleged incident that took place in May 2022, when Freddie Gibbs was attacked in Buffalo, New York, reportedly by associates of Benny The Butcher.
During that altercation, which occurred at a local BBQ restaurant while Gibbs was in town for a concert, his chain was allegedly snatched in a confrontation that was caught on video and widely circulated online.
While neither artist has ever confirmed the specifics of that night, the tension between them has been palpable for years. The feud reportedly began in 2021 when Gibbs made dismissive remarks about Benny’s involvement in a separate shooting incident.
Since then, both rappers have traded subliminal disses, cryptic interviews, and passive-aggressive jabs across social media, but Benny’s “Position of Power” marks the most direct and confrontational moment to date.
Freddie Gibbs, known for his lyrical sharpness and confrontational style, is no stranger to rap battles. In March 2025, he released a track titled “The Big 2,” where he fired shots not only at Benny but also at J. Cole and JPEGMAFIA.
In that song, Gibbs rapped: “My naked ass got more promo than your album / Man, this really ain’t no challenge,” mocking Benny’s promotional efforts for his Def Jam debut album Everybody Can’t Go, which was released in January 2024.
The jab was seen by many as a direct attempt to belittle Benny’s commercial momentum. Benny’s response, though delayed, seems to be meticulously calculated. “Position of Power” isn’t just a comeback—it’s a reminder.
A reminder that Benny The Butcher, one of the most respected lyricists in Griselda Records and a key figure in the Buffalo rap renaissance, isn’t willing to let his reputation be questioned.
His line about other rappers not being able to “eat in this lane” serves both as a flex and a territorial warning. He’s making it clear: this is his ground, and any challengers better come prepared.
In a January 2024 interview on The Breakfast Club, Benny downplayed the feud, saying, “I got no problem with him… but it’s just not going to be like, ‘Let’s go be cool again.’ It’s over with.”
Despite those comments, the new track suggests that Benny has far from moved on. Instead, he’s using music as a final word—or perhaps the opening salvo in a new round.
The context surrounding this moment makes it even more compelling. In May 2025, Benny dropped Excelsior, a surprise independent project on his Black Soprano Family label, following the early-year success of Everybody Can’t Go.
With collaborations featuring Lil Wayne, Jadakiss, Conway the Machine, and even Snoop Dogg, the album showcased Benny’s growth and ambition beyond the underground.
Now, with “Position of Power,” he’s signaling that even as his profile grows, he’s not abandoning the raw, street-centric storytelling that made him a fan favorite.
Meanwhile, Freddie Gibbs has been relatively quiet since “The Big 2,” but that may change quickly.
Gibbs is known for his sharp-tongued rebuttals, and fans are already speculating that he’ll drop a response track soon—possibly even before Benny’s latest verse finishes echoing through the airwaves.
Some believe that Gibbs’ silence so far is strategic, while others suggest he’s preparing something bigger than a song.
Social media has lit up in the wake of the diss. On X (formerly Twitter), fans are split: some are praising Benny for “finally firing back with precision,” while others argue that Gibbs still holds the edge in terms of lyrical dexterity.
Memes, quote tweets, and breakdowns of Benny’s verse are flooding timelines, with fans dissecting every word, searching for hidden meanings and new targets.
Even within the rap community, the diss has caused a stir. Industry insiders and producers have weighed in, with some suggesting that this could become one of the defining rap beefs of the decade—particularly because it blends real-life tension with undeniable lyrical talent on both sides. Unlike many modern beefs that feel performative or internet-driven, this conflict has roots, scars, and receipts.
What makes the track hit even harder is Benny’s calculated delivery. There’s no shouting, no desperation—just icy cool confidence. The beat is understated, allowing Benny’s words to cut through cleanly.
The production, co-handled by Rain910, gives the track a gritty, nocturnal feel that matches the subject matter. It’s the kind of diss that doesn’t beg for attention—it demands it.
As for what comes next, the possibilities are wide open. Will Gibbs respond in kind with a lyrical barrage? Will Benny escalate further with more tracks or visuals? Or will both rappers eventually let the music speak for itself and focus on their respective paths?
For now, one thing is clear: “Position of Power” has reignited a feud that fans believed was cooling down. Benny The Butcher has made his position known—one of strength, defiance, and lyrical authority.
And with the entire hip-hop world watching, the next move belongs to Freddie Gibbs. Whether he claps back or not, the stakes have officially been raised.
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