not an article not a rumor not a
censored memoir For the first time Linda
Ronstat has directly named the people
who have hurt her most in her career
Five names five stories that she thought
she would take to the grave No one
forced her No one set her up It’s just
that at some point when the voice has
left the body people start to want to
speak in other ways And she chose this
way What she’s about to tell you will
change the way you look at seemingly
flawless relationships collaborations
and rock history that you once believed
to be glorious Everyone knows that the
Eagles were Linda Ronstat’s backup band
before they became American rock icons
What’s less wellknown is that Linda
opened the door for them to the big
stage She chose them not because she
lacked talent but because she believed
they had substance Glenn Frey still
finding his way was someone Linda
appreciated Both his musicianship and
his teamwork But once the reputations
began to shift so did the distance When
the Eagles hit it big with Hotel
California and the hits that followed no
one talked about the time they were
behind Ronstat Nor did Glenn Frey In a
1977 interview when asked about the
band’s role as backup for solo artists
Frey simply said “We learned a lot from
those days but frankly we’re on our own
now.” Linda didn’t respond But after
that day all invitations to perform
together with the Eagles stopped Things
came to a head at the Hollywood Bowl It
was supposed to be a memorable reunion
Linda would join the Eagles for a few
songs just like they had on their first
tour But just before the set list was
finalized Glen Freys manager called to
suggest a change of pace The Eagles
would perform after Linda They wanted to
close the show Linda refused She didn’t
need a place on stage but she also
couldn’t stand to have her role
rewritten in the story especially not
when it was someone who had once walked
off her stage In response Frey cancelled
the collaboration His final message was
“I don’t think the audience will be
expecting you anymore.” It’s not that
Linda doesn’t understand competition but
with Glenn she sees something else
Handwashing She doesn’t need credit but
she recognizes it when people
deliberately erase her from the
collective memory Years later in a
private conversation with a journalist
Linda was asked why she had never
appeared at Eagle celebrations But
having laid the foundation she simply
laughed Some people are comfortable
living with the story they have written
I am not For Linda it wasn’t Glen Frey
she hated It was what he represented A
way of getting ahead by rejecting the
first steps She didn’t expect thanks but
she didn’t forget to ignore them either
Frey died in 2016 Linda did not speak
publicly nor did she appear at any
memorial events Behind the scenes she
only told an old friend I wish him peace
But if there is one thing I regret it is
that I thought we were allied Linda
doesn’t need to win in other people’s
memories But when she looks back Frey is
still the first one to appear Not
because of fame but because of the
feeling of being left out of a story
that should have had a right to exist
The man who saved the world but left me
alone Neil Young was one of the artists
Linda had truly admired He was outspoken
anti-war and a defender of the underdog
Values Linda shared but that similarity
led to one of the biggest rifts she had
ever experienced in the music industry
In 1976 Linda and Neil were invited to a
benefit concert for immigrant workers in
California The event was organized in a
spirit of solidarity But even at the
first meeting Linda sensed something was
wrong She suggested songs like Desperado
and Blue Bayou Light but with emotional
depth Neil shook his head “We’re not
here to sing salon music,” he said
almost mockingly Linda held back The
second time he interrupted her as she
discussed the set list he insisted that
real protest songs don’t need to be
emotionally easy to listen to To her it
wasn’t just a rejection It was his way
of denying her part in the struggle On
stage that day Linda stood on the
sidelines not included in the general
acts as planned She didn’t want to make
a big deal out of it but when she got
off the stage she cried in the dressing
room Not because she was being left out
but because she felt excluded from
something she should have had a right to
be a part of She said nothing to Neil No
retort or question But after that night
she turned down every invitation to
collaborate with him Once the organizer
suggested she sing a duet with Neil on a
live TV show Linda simply replied “I
choose not to stand next to someone who
despises me.” Neil was not silent In a
1978 interview when asked about female
artists in the struggle he replied “Some
have good voices but not the guts to
touch what really hurts.” Linda knew he
was talking about her and she never
forgot Linda did not speak publicly no
interviews no criticism But at an
informal gathering with some old friends
in the industry when the conversation
happened to mention Neil Young someone
asked her what she thought of him after
all these years Linda did not have to
think long She said only one sentence
slowly and clearly He is very good at
making people believe that he is on the
right side even when he is the one who
silences them In the years that followed
Linda avoided any projects involving
Neil Even when he sent a brief apology
through a mutual friend she didn’t
respond Not because she hated him but
because she didn’t believe in apologies
until the end To Linda Neil represented
a kind of male artist who assumed his
cause was superior to anyone else’s They
believed women should stay with their
love songs and stay on the sidelines of
protests unless invited to speak Linda
didn’t need their permission But when
the person she once trusted pushed her
aside it didn’t feel like disappointment
It felt like suffocation Years later
Linda was asked if she would have
reacted differently if she could go back
to that day She replied “I wouldn’t have
had to speak up to defend myself Time
would have done it for me For Linda the
most painful thing wasn’t being rejected
It was having someone who stood up for
justice disregard her ability to walk
the walk because she chose a different
path one that was just as just just less
noisy Neil Young kept performing kept
fighting kept being honored Linda stayed
silent But in that silence was a scar
And if she had to pick one person who
made her lose faith in her allies it was
Neil The neverending joke Glenda Ronstat
is not the type to succumb to fame Even
though working with many great artists
she has never allowed herself to be
reduced to a side note in any project
With MC Jagger it started as an
opportunity and ended as a prime example
of the so-called attraction of status
something Linda never believed was worth
sacrificing her dignity for In the 1980s
Linda agreed to participate in a
celebritystudded charity event Mick
proposed the idea for the finale All the
artists would come on stage to sing a
new version of Sympathy for the Devil
Linda didn’t object but after the first
rehearsal Jagger’s publicist released
promotional images for the event With
Linda’s photo next to him captioned
“Jagger and guest vocalists no names no
permission and no one asked.” Linda kept
quiet but after the incident she
actively refused any collaborations with
the Rolling Stones or Jagger for more
than a decade She told a close friend
that she felt dragged into a sideshow to
feed someone else’s ego That was until
1987 when MC Jagger appeared on a late
night talk show The host made a familiar
joke Linda Ronstad is one of the most
outstanding voices you’ve ever sung with
How’s that mick smirked and replied “She
looks better when she’s not singing.”
The audience laughed The host laughed
The studio erupted in reflexive laughter
Only one person didn’t laugh The man who
had stood next to him on stage who had
believed himself to be a colleague and
not a prop in someone else’s performance
She did not respond to the press but
wrote clearly in her diary They say
women should laugh when men joke but if
it is funny I choose to remain silent as
an act of protest Linda wasn’t surprised
that Jagger said that What saddened her
was the ease with which such jokes were
accepted especially coming from a male
rock icon and more than anything the
implicit understanding that women who
didn’t fight back were more likely to
stay in the game She was asked to sing
on a Jagger record in the early ‘9s on
the condition that she change her image
be more sexy Linda refused flat out and
without negotiation She made it clear to
her manager “I don’t have to be sexy to
be asked to sing And if that’s the
criteria I don’t even want to sing.”
It’s not that Linda didn’t appreciate
Mick’s talent She once said he was such
a good stage performer that he convinced
the crowd that every line was theirs But
to her Mick was always the embodiment of
unapologetic power Power that exploited
the image of others to bolster its own
Linda didn’t expect an apology from
Jagger nor did she expect an explanation
Such people she thought rarely felt the
need to say anything after being coddled
But if anyone had ever asked who had
made her lose all faith in her ability
to work with people at the pinnacle of
fame Linda would have said without
hesitation “Mick Jagger.” For her it
wasn’t a grudge It was a line And once
someone crossed that line no matter how
famous they were no longer in her world
The woman who makes me feel unworthy
After her encounters with male artists
where ego power and prejudice were
always present Linda once believed that
women would be the place where she would
find empathy understanding and fairness
She thought that people on the margins
of power would know how to hold each
other together But then there were
situations that made her realize that
not all wounds come from brutality or
contempt There are wounds that come from
people you once admired once trusted And
because of that it leaves a deeper cut
For Linda that happened with Joanie
Mitchell Linda has never made it a
secret that she looks up to Joanie as a
role model Not just because of her voice
but because Joanie writes her own songs
owns her own sound and has complete
creative control over what she performs
Linda doesn’t write her own songs She
chooses to interpret other people’s
songs in her own way And that used to
make her feel inferior next to people
like Joanie In 1979 at a Rolling Stone
concert Linda performed a special
arrangement of Joany’s hit River The
response from the audience was
overwhelmingly positive Immediately
after the performance Linda walked
backstage and saw Joanie talking to a
group of people As Linda approached
Joanie turned smiled slightly and said
“I didn’t know my songs were so
popular.” The remark seemed light but
Linda could hear the sarcasm in every
word She didn’t reply She just turned
away and sat quietly in the dressing
room for the rest of the event A week
later in a small interview with a music
magazine Joanie was asked about artists
who covered her music She replied “I
write from my blood No one can convey
that unless they have lived it.” Linda
read the article folded the magazine and
never mentioned Joanie again to the
press Later when producers suggested
Mitchell’s songs for her ballad album
Linda declined not because she didn’t
like them but because she didn’t want to
be associated with someone who had made
her feel like she wasn’t real enough to
express other people’s sadness In the
years that followed whenever Joanie
Mitchell was mentioned Linda never shied
away but she never strayed beyond
neutrality No criticism or flattery just
a quiet clear attitude Once when asked
if she would work with Joanie again
Linda replied simply “I admire talent
but I work with people who have both
talent and kindness For me one is not
enough For Linda Joanie wasn’t exactly
an enemy but someone who made her doubt
her own worth something no one else had
ever done not even the men who had
openly despised her That didn’t make
Linda lose herself On the contrary she
came to understand her place in the
industry an artist who chose to sing
songs that felt real to her even if she
didn’t write them and that didn’t make
her any less sincere During a late
recording session when only a few people
remained in the mixing room Linda shared
with a close friend “I used to think I
wasn’t deep enough that I was just the
person behind someone else’s songs But
then I listened to my own recordings and
I realized sometimes it’s the way you
tell the story that makes the song mean
something completely different Not a
copy a soulful version of yourself.”
Linda never needed anyone to validate
her worth But with Joanie Mitchell
things were different Not because Joanie
was better but because Linda believed
they were on the same page It was the
indifference from her once icon that
took her years to shake off the feeling
that she was always one step below even
though no one had ever said it out loud
When friendship breaks down in song
Linda Ronstat didn’t have many close
friends in the music industry but her
relationship with Dolly Parton was one
of the few strong bonds between three of
the most prominent women of the era
Linda Dolly and Emmy Louu Harris They
weren’t just musical partners they were
also sisters especially when they
collaborated on the albums Trio and Trio
2 Trio’s success in 1987 was
unquestionable but behind the scenes
things weren’t always smooth sailing
During the making of Trio 2 released
more than a decade later Dolly asked to
have her vocals removed from some of the
recordings for personal reasons and
scheduling reasons Linda and the
producers agreed and decided to keep
Emmy Louu and Linda’s vocals on just a
few tracks Linda thought it was a done
deal But when the album was released
Dolly was surprised and unhappy with the
way it was handled There was no clear
dialogue between them after that No
public argument no back and forth in the
press just silence that lasted for years
Linda feels misunderstood in a place
where she once thought there was trust
For Dolly it may not be a
misunderstanding but a feeling of being
left out of a project she has put her
heart and soul into A friendship that
once seemed unshakable begins to show
cracks over seemingly small things but
neither of them is proactive enough to
pull the other back Linda didn’t blame
Dolly for wanting to pull out of some
songs She understood the pressure of the
schedule and the artistic control that
an artist like Dolly always maintained
But what hurt Linda Moore was that
neither of them had taken the initiative
to sit down and talk things out to clear
up the misunderstandings They had once
had enough trust to create together to
step on stage without rehearsing to sing
in harmony without saying much But after
that everything was as if the power had
been pulled No scandals no publicity no
criticism It was just that from then on
they had not performed together on the
same stage again for many years In a
private conversation with Emmy Lou
Harris in 2005 Linda said something that
left listeners speechless I’m not angry
at Dolly for choosing to withdraw I’m
upset that she didn’t ask me before
believing that I was deliberately
pushing her out It was not a reproach
but a regret Because if they had just
talked frankly once all the
misunderstandings might have disappeared
But the distance created by silence is
often harder to fill than any argument
Years later when Linda Dolly and Emmy
Louu were honored together at an awards
ceremony in Washington they had a chance
to meet again They hugged smiled at the
camera and exchanged polite words like
old friends Everything was proper But
Linda could clearly sense that something
between them was gone forever There was
no conflict no resentment It was just
that something that had once been
beautiful had faded away and no one knew
how to bring it back To her Dolly was
not a bad person She even described
Dolly as intelligent and sharp a natural
producer in the shape of a folk artist
But she did not deny that a distance had
formed and that it stemmed from both of
them choosing silence over dialogue when
misunderstandings arose Linda doesn’t
need every relationship to end well But
if there’s one person she regrets losing
the most it’s Dolly Parton She once
wrote in a private note “There are
people who are not worth keeping but
there are also people who are worth
keeping It’s just a pity that we don’t
have time to keep them properly Not all
wounds come from outright betrayals
There are small slow but never healing
cuts because they come from trust that
was once real Linda Ronstat doesn’t tell
these stories to hurt anyone She doesn’t
expect an apology nor does she need
anyone to defend her But in a world
where female artists are often asked to
keep quiet to maintain their image
speaking up but late is always valuable
If what you just heard makes you think
about the dark side of the spotlight or
simply makes you want to hear Linda’s
voice from a different perspective leave
a comment We want to know what you think
And if you think this story deserves to
be known by more people don’t hesitate
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hidden corners of legends who seem to
never get angry Linda has told her part
Now it’s your turn
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