Stephen A. Smith’s $20M Power Play: Did He Sabotage Molly Qerim’s ESPN Career?
Molly Qerim’s sudden resignation from ESPN on September 16, 2025, sent shockwaves through the sports media world.
For nearly a decade, she had been the poised and professional moderator of First Take, partnering with Stephen A. Smith to elevate the show into one of ESPN’s most successful programs.
Her departure, however, was anything but smooth.
It was abrupt, mysterious, and riddled with unanswered questions that have since sparked intense speculation and drama.
The announcement came via an Instagram story in which Molly expressed gratitude for her time at ESPN, thanked her colleagues and fans, and teased future endeavors.
Yet, her message conspicuously avoided naming Stephen A. Smith, her co-host of 10 years—a glaring omission that immediately raised eyebrows.
This omission was particularly striking given the public image of their partnership as a dynamic duo that had helped First Take achieve unprecedented success, including its most-watched year in 2023.
The abrupt nature of Molly’s departure was equally perplexing.
Originally slated to leave at the end of the year, her resignation was accelerated to “effective immediately” following a leak from Sports Business Journal.
On September 15, she hosted First Take as usual, only to vanish from the network by the next morning.
This sudden exit caught everyone off guard, including Stephen A. Smith, who appeared visibly emotional and blindsided during the following day’s broadcast.
“I was not aware that this is something she was contemplating doing,” Smith admitted, adding, “I don’t like it. I’m not happy about it.”
Smith’s reaction, while seemingly heartfelt, also raised questions.
During his SiriusXM podcast, he acknowledged knowing more about the situation but refused to share details, stating, “The details, quite frankly, are none of y’all business.”
This cryptic response only fueled speculation, with many wondering whether Smith’s immense influence at ESPN played a role in Molly’s decision to leave.
Stephen A. Smith is not just a host on First Take.
He’s also an executive producer, wielding significant power over casting decisions, show direction, and even contract negotiations for other talent.
His $40 million-a-year deal makes him one of the most influential figures at ESPN.
Former ESPN analyst Marcellus Wiley has suggested that Smith’s influence extends to determining who gets career advancement and who doesn’t—a dynamic that may have worked against Molly during her contract negotiations.
Reports indicate that Molly was seeking more than just a pay raise.
Her salary, reportedly around $500,000 annually, was dwarfed by Smith’s $20 million—a staggering 40-to-1 ratio.
Molly also wanted opportunities to host her own show and expand her role within the network.
However, ESPN allegedly rejected these demands, leaving her feeling undervalued despite her pivotal contributions to First Take.
Wiley speculated that Smith did not advocate for Molly during these negotiations, a decision that may have contributed to her departure.
The strained relationship between Molly and Stephen A. Smith is another layer of this complex saga.
While their on-screen chemistry appeared strong, insiders have pointed to growing tensions behind the scenes.
Several incidents over the years, including heated on-air debates and viral moments of frustration, suggest a partnership that was not as harmonious as it seemed.
For instance, Molly’s farewell message notably excluded any mention of Smith, which Wiley interpreted as a deliberate sign of resentment.
The gender dynamics at ESPN further complicate the story.
Molly’s salary and lack of career advancement stand in stark contrast to other female talent at the network, such as Mina Kimes and Malika Andrews, who reportedly earn significantly more despite occupying less prominent roles.
This disparity highlights systemic issues within ESPN, where female contributors often face barriers to fair compensation and recognition.
The aftermath of Molly’s departure has been equally dramatic.
ESPN scrambled to implement damage control, with President of Content Burke Magnus issuing detailed explanations—a rare move for the network.
Magnus described the situation as a straightforward business decision, yet the speed and intensity of the response suggest otherwise.
ESPN announced a 30- to 45-day tryout period to find Molly’s replacement, with in-house talents like Christine Williamson and Monica McNutt among the contenders.
However, insiders remain skeptical that anyone can replicate the chemistry and professionalism Molly brought to the show.
Stephen A. Smith’s handling of the situation has drawn criticism from industry colleagues.
On the Speak Easy podcast, Emmanuel Acho accused Smith of using Molly’s departure for clicks and views rather than protecting her reputation.
“From a human perspective, Molly was your sidekick for 10 years. Protect her at all costs,” Acho argued, highlighting the perceived lack of loyalty in Smith’s response.
For Molly, the decision to leave immediately rather than wait out her contract reflects someone who had reached a breaking point.
Wiley suggested that Molly realized her situation at ESPN wasn’t going to improve, prompting her to walk away rather than endure futile negotiations.
Rumors of a lucrative offer from Fox Sports, reportedly worth around $2 million annually, indicate that other networks recognize Molly’s value even if ESPN did not.
For ESPN, Molly’s departure represents a significant challenge.
First Take is not just a show; it’s a cultural phenomenon and a major revenue driver for the network.
Replacing a host who played a crucial role in its success is no small task, particularly given the public scrutiny surrounding the circumstances of her exit.
The way ESPN handles this transition will serve as a litmus test for its ability to manage high-profile departures and maintain the integrity of its flagship program.
Ultimately, Molly Qerim’s resignation is a case study in the complex interplay of power, loyalty, and business decisions in sports media.
It reveals the often brutal realities of television careers, where success on screen doesn’t always translate to fair compensation or job security behind the scenes.
For Molly, this departure marks both an ending and a new beginning—a chance to redefine her career on her own terms.
For Stephen A. Smith and ESPN, it’s a moment of reckoning that will likely be scrutinized for years to come.
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