🚨 “That Scene Broke Me!” Snoop Dogg’s SHOCKING Rant Against Disney 🧸💔 — Is This the Same Man Who Glorified Pimp Culture? 👀
It started with a cartoon.
Specifically, a Disney movie.
But before you could say “Lightyear,” it turned into a cultural wildfire.
On a recent episode of the “It’s Giving” podcast, Snoop Dogg—yes, that Snoop Dogg—decided to share his feelings about watching the 2022 animated film Lightyear with his grandson.
And what was the traumatic, world-shattering moment that shook this hardened hip-hop icon to his core? A lesbian couple.
Sharing a child.
On screen.
For a few seconds.
In the background.
“I didn’t come in for this,” he said.
“Just came to watch the goddamn movie.
” And just like that, the internet snapped.
Because Snoop didn’t just express discomfort.
He said he was scared to take his grandson to the movies now.
Scared.
The same man who once walked women on dog leashes in public, who starred in adult content, who rapped about murder, drugs, gang life, and yes, who literally directed lesbian scenes in porn, is now afraid that a
cartoon kiss might be a dangerous influence.
If irony had a face, it would be holding a joint and wearing braids.
The reaction was swift—and brutal.
From everyday users to high-profile names like Marlon Wayans, the backlash wasn’t just about the comment itself, but about what it represented: hypocrisy at its most glaring.
How can a man whose entire brand is built on boundary-pushing behavior now claim that this is the line in the sand? For Wayans, it was simple.
“That’s the dumbest ish I’ve ever heard,” he said bluntly.
“Disney characters lie, steal, cheat, kill, poison—everything.
Ain’t nobody saying they turning our kids into criminals.
But a gay character pops up, and suddenly it’s an agenda?”
It’s not like Snoop hasn’t courted LGBTQ+ audiences before.
In fact, he’s done more than just court them.
Back in 2004, he starred in the groundbreaking lesbian drama The L Word, where his entire character arc revolved around him overcoming his own ignorance about queer women and becoming an ally.
By 2013, he told HuffPost he had “no problem” with gay marriage and believed everyone should “satisfy yourself accordingly.
” So what happened? When did that version of Snoop disappear?
Critics say he never really did.
That version of Snoop was always more performance than principle.
He could support the LGBTQ+ community when it boosted his cool factor, or when it helped him rebrand as a “wise uncle” for Gen Z.
But the moment it challenged his worldview—or showed up in places he couldn’t control, like a Disney movie—his discomfort emerged, raw and exposed.
And that’s where the cracks in the legacy start to show.
Because Snoop hasn’t just been inconsistent—he’s been contradictory in ways that are now impossible to ignore.
Take his Trump pivot.
In 2017, Snoop famously posted that any rapper who performed for Trump was an “Uncle Tom.
” He called the man a racist, a culture killer, a con artist.
Fast forward to 2025, and Snoop was performing at Trump’s inauguration.
No apology.
No clarification.
Just a quiet embrace of the same system he once condemned.
And when people brought it up? Crickets.
This isn’t just a bad look—it’s a pattern.
Snoop has built an empire on doing whatever the moment required.
He’s been a gangster, a preacher, a pimp, a family man, a feminist, a misogynist, a weed mogul, a children’s entertainer, and a crypto shill.
Now, apparently, he’s a cultural critic worried about the so-called “gay agenda.
” But as TS Madison said during her viral takedown on TMZ, Snoop’s opinion on what’s appropriate for children is laughable given that his entire music video catalog is drenched in nudity, alcohol, gang signs, and
adult themes.
And let’s be clear—kids see it.
As TS said, “Let’s not pretend like kids don’t watch these music videos.
” Snoop’s response to Disney is hypocritical not because he’s a bad parent, but because he’s pretending to be one now for cultural clout.
He never said his grandson couldn’t watch Drop It Like It’s Hot, but he’s traumatized by Lightyear? That’s not parenting.
That’s performance.
Even the Lightyear scene he criticized has been wildly blown out of proportion.
It wasn’t even central to the plot.
It was a background detail.
A subtle nod to representation, not a lecture.
Writer Lauren Gunderson, who worked on the film, responded to the backlash by saying it was a “small line, big deal,” and that she was proud it stayed in.
“Love is love,” she said simply.
And for millions of queer kids who grew up seeing zero representation in children’s media, that small moment was everything.
But for Snoop, it was too much.
Not because he’s suddenly conservative, but because he’s uncomfortable with things he can’t control.
This is a man who controlled the narrative for decades—onstage, on camera, on Instagram.
And now, in an era where diversity is normalized and representation is no longer gatekept by men like him, he feels pushed out.
And so, instead of evolving, he’s retreating.
Into outrage.
Into fear.
Into the same dog-whistle talking points that right-wing politicians use to justify book bans and bathroom laws.
And the saddest part? Some people are buying it.
On social media, a segment of users have rallied around Snoop, saying he’s “just trying to protect kids.
” That there’s “nothing wrong with wanting to shield children from adult topics.
” But here’s the thing: that argument only holds water if you apply it consistently.
Where was this energy when Disney was pushing colonialist narratives in Pocahontas, or when Aladdin lied and manipulated Jasmine, or when Snow White was kissed while unconscious? If you weren’t outraged
then, but you’re outraged now, then this isn’t about kids.
It’s about you.
And as for those arguing that his music is “for adults,” that excuse rings hollow in 2025.
Kids live on the internet.
They consume content from all corners, often unsupervised.
If you really care about protecting children, you monitor all of it—not just the parts that make you uncomfortable.
Which brings us back to Snoop’s grandson.
The kid asked a simple, honest question: “How did a woman have a baby with another woman?” And instead of offering an answer—or even saying “Let’s talk about that later”—Snoop froze.
Deflected.
And later turned it into a podcast talking point.
That’s not parenting.
That’s branding.
And the internet saw right through it.
Because this isn’t about Disney.
This is about control.
About image.
About a man who once prided himself on being unfiltered now scrambling to sound “family-friendly” while holding a legacy that’s anything but.
It’s about the generation of artists who built empires on breaking rules suddenly getting scared when the culture breaks past them.
So maybe Snoop doesn’t hate the scene.
Maybe what really scares him is the fact that his grandson is growing up in a world that no longer needs his permission to exist.
And that world is watching.
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