50 Cent Reveals: Diddy SLAPPED Drake Over Stolen Hit—You Won’t Believe What Happened Next! 

It all started with a beat—a beat that could’ve been Diddy’s.

According to recent revelations, including a spicy confirmation from 50 Cent, the beef between Diddy and Drake didn’t just begin with microphone snatching or ego bruises—it started with a missed opportunity that turned into one of the biggest hits of the decade.

“0 to 100” wasn’t just another Drake track; it was a Grammy-nominated anthem that redefined his sound and placed him among the elite.

But for Diddy, it was a painful reminder that his once razor-sharp instincts for hits might be slipping.

As 50 Cent put it bluntly, “Puff can’t even hear a hit no more.

” That one line sparked the deeper dive—and what unfolded was a behind-the-scenes clash that started as creative tension and escalated into physical violence.

The beat for “0 to 100” was crafted by Frank Dukes and later assembled by Boi-1da, who happened to be working with Diddy at the time.

Diddy was offered the track but reportedly passed on it—at first.

Later, he had a change of heart and tried to reclaim it, asking Drake not only to ghostwrite a verse but to appear on it.

Drake, sensing the opportunity, recorded a version and sent it back—but Diddy still wasn’t impressed.

So Drake did what Drake does: he released it himself.

That decision proved historic.

“0 to 100” exploded, dominating airwaves, turning into a platinum record, becoming part of the NBA 2K16 soundtrack, and even being nominated for Best Rap Song and Best Rap Performance at the Grammys.

While the world celebrated, Diddy stewed.

And according to insiders, he was fuming over what he saw as creative theft.

The very beat he had dismissed was now elevating Drake’s legacy—and making Diddy look out of touch.

Things had already gotten tense between the two when Drake reportedly snatched the mic from Diddy during a 2014 performance at Club LIV in Miami.

While it seemed like a heat-of-the-moment mistake, the gesture didn’t go unnoticed.

Months later, they found themselves at the same club—again in Miami—this time for DJ Khaled’s birthday bash.

Reports say Diddy approached Drake outside the venue to “talk,” but the conversation quickly escalated into a violent altercation.

Multiple sources, including Charlamagne Tha God, confirmed that Diddy slapped Drake.

Not metaphorically—literally.

Witnesses say Drake was caught off-guard, and the slap was hard enough to leave him injured.

Rumors swirled that he dislocated his shoulder in the scuffle and had to be taken to the hospital.

One source even claimed Drake was wheeled back into his Miami hotel in a wheelchair—though that might be a bit exaggerated.

Still, for someone like Drake, who projects calm dominance and lyrical precision, the image of being physically humbled by an aging music mogul was the stuff of hip-hop tabloid nightmares.

Diddy, of course, denied it all.

In a later interview, he coolly dodged questions: “I did not put hands on Drake,” he said.

But 50 Cent, never one to hold back, doubled down.

He not only confirmed that the slap happened but mocked Diddy for being unable to recognize a hit in the first place.

“That’s why he hit Drake,” 50 said.

“He felt like Drake took something from him—and it blew up.”

Charlamagne backed up the claims on The Breakfast Club, revealing that industry insiders knew the real reason behind the altercation was the “0 to 100” beat.

He even claimed the show broke the news before it became a full-blown hip-hop headline.

What’s more, the tension grew so thick that legendary rap mogul J. Prince had to step in and issue a public warning to Diddy and Suge Knight, putting them “on notice” and declaring Drake as “family.”

When J. Prince steps in, it’s no longer petty beef—it’s about protecting the brand, the money, and the people behind it.

Despite the chaos, Drake stayed largely silent—at least publicly.

But he got his revenge the Drake way: through the music.

On “4PM in Calabasas,” a track released a year after the incident, Drake laced his bars with thinly veiled jabs at Diddy.

Lines like “Even had the OGs tryin’ to press me… no way out ‘cause I’m already in it” took direct aim at Diddy’s 1997 album No Way Out.

He didn’t stop there.

With ad libs like “take that, take that,” and references to “Can’t Hold Me Down,” Drake used Diddy’s own legacy against him, turning his catchphrases into diss tracks.

The message was clear: you hit me once, but I hit back in platinum.

To add insult to injury, Diddy later performed “0 to 100” himself—but introduced it with a bitter disclaimer: “This was stolen from us.

” That performance became symbolic—a man trying to reclaim what he believes was his, but doing so with a bruised ego and fading relevance.

Meanwhile, Drake continued to soar, unaffected by the slap and untouched by any career fallout.

Boi-1da, the producer who helped make the beat, later chalked the whole drama up to a “misunderstanding.

” But in hip-hop, misunderstandings often lead to beef, and beef leads to legends.

This particular saga added another chapter to Drake’s lore as the unshakeable 6 God and exposed Diddy’s struggle to maintain dominance in a game he once ran.

Today, both men appear to have moved on.

Publicly, there’s no bad blood.

But in a genre built on bravado and reputation, stories like this never really die—they just lie dormant, waiting for the next spark.

The slap that almost nobody saw but everybody knows about remains one of hip-hop’s most surreal what-the-hell moments.

And thanks to 50 Cent, it’s never going to be forgotten.

When your biggest L is tied to someone else’s biggest hit, the sting doesn’t fade with time.

It only gets louder.