🔥 Mase EXPOSES Diddy: “Bad Boy Records Was a CULT – He STOLE From EVERYONE!” 😳💰

In the glittering glow of 1990s hip-hop, Bad Boy Records stood at the pinnacle.

Flashy suits, multi-platinum hits, and legendary music videos made Sean “Diddy” Combs the face of an empire.

But behind the cameras, according to Mase and several other former artists, was a darker truth.

One that’s starting to look less like a record label—and more like a carefully controlled cult.

Mase, once a rising star and right-hand man to Diddy, has gone public with claims that he, like many others, was spiritually and financially manipulated, and he’s naming names.

When Mase first joined Bad Boy Records, he was touted as the next big thing.

With his smooth flow and charm, he quickly became Diddy’s protégé, helping to pen massive hits like “Mo Money Mo Problems.

” But even in the label’s peak, cracks were already showing.

According to Mase, he wrote much of Diddy’s material, including hooks and verses, yet was barely paid for his work.

His debut album Harlem World went quadruple platinum, yet his financial statements barely reflected the success.

And then, in a move that stunned the industry, Mase walked away from it all.

Just two albums in, he announced his retirement on Hot 97, live on air, to become a pastor.

Fans were shocked.

But looking back now, it wasn’t just a spiritual awakening.

According to Mase, it was an escape from a toxic system where artists were exploited, controlled, and used to build Diddy’s empire while receiving pennies in return.

What followed was years of legal and personal battles.

Like other Bad Boy alumni—The Lox, Craig Mack, Shine, 112, Black Rob—Mase found himself stuck in a contract he couldn’t escape.

Diddy owned his publishing and blocked him from signing with other labels, including a planned deal with 50 Cent’s G-Unit.

Incredibly, Diddy demanded $2 million from 50 to release Mase—then denied Mase his own publishing rights unless he matched a “European buyer’s” offer.

This pattern of control and manipulation echoes throughout Bad Boy’s history.

Craig Mack released just one album before mysteriously vanishing and eventually joining a religious commune.

Before his death, Craig Mack reportedly told family not to let Diddy attend his funeral.

The Lox—who went platinum under Bad Boy—publicly accused Diddy of stealing their publishing, launching a “Free the Lox” campaign and even threatening violence on-air during a 10-year battle to regain their

music rights.

Even worse, the so-called “Bad Boy Curse” seems terrifyingly real.

Biggie Smalls, Bad Boy’s crown jewel, was murdered just days before the release of Life After Death.

Former bodyguard Gene Deal claims Biggie was planning to leave the label—and Diddy might have known too much.

Black Rob died broke, reportedly still in a bad contract.

And Shine, who was supposed to be Biggie’s successor, ended up serving 10 years in prison for a nightclub shooting involving Diddy and Jennifer Lopez.

Shine later claimed Diddy abandoned him during the trial and used him as a “fall guy.”

In one of the most damning statements yet, Mase compared Diddy to a cult leader: controlling, manipulative, and spiritually empty.

In his words, “If the devil can use him aggressively, then God can use me aggressively.

” He claims that Diddy orchestrated a mass, organized effort to smear his name behind the scenes—while publicly portraying himself as a business genius and benevolent mogul.

But Mase wasn’t done.

In 2023, he dropped a bombshell video on Instagram, directly calling out Diddy: “You want receipts? Let’s start with your mother.

” He accused Diddy of putting all his stolen profits under his mother’s name and silencing every other artist with NDAs.

“Biggie can’t give you receipts—he’s dead.

Craig Mack can’t give you receipts—he’s dead.

Black Rob can’t give you receipts—he’s dead.

And the rest? You made them sign paperwork so they can’t talk.”

It’s chilling.

Even when Mase finally got Diddy to sign his release papers—live, on air, ambushed at a radio station—it was only for one year.

Diddy still owned his publishing.

For nearly a decade, Mase says he was blocked from earning a living, all while Diddy raked in profits from music he never wrote.

Other artists, like 112, echo the same story: they were teenagers when they signed contracts giving Diddy 100% of their publishing.

When they tried to leave, Diddy sued them and blocked their new music until they gave in.

And Machine Gun Kelly? He signed to Bad Boy in 2011 and a year later confessed he didn’t even know what his deal meant—and hadn’t seen a dime of the $1.

2 million he was promised.

The deeper you dig, the more sinister it seems.

According to critics, Diddy didn’t just run a record label—he ran a system.

One that kept his artists poor, legally muzzled, and replaceable.

All while building himself into a billionaire off their talent, pain, and silence.

So where does that leave Mase? After nearly 20 years of fighting, he finally got his publishing back in late 2023.

But the damage is already done.

For every artist who made it out alive, there are several more who didn’t.

Some are still trapped.

Some are gone.

And while Diddy continues to defend himself—claiming he’s done nothing wrong and was merely a savvy businessman—the mountain of accusations, deaths, lawsuits, and betrayal keeps piling higher.

Call it a curse.

Call it a cult.

Call it whatever you want.

But when Mase says “Bad Boy Records was like a cult, and Diddy was the leader,” it doesn’t sound like an exaggeration anymore.

It sounds like the truth.