A Heartfelt Tribute: Phylicia Rashad Honors Gospel Icon Richard Smallwood with Emotion and Reverence

Phylicia Rashad, renowned for her illustrious career in drama and theater, recently shared an emotional homage to Richard Smallwood, a trailblazer in gospel music.

Their paths crossed decades ago at Howard University, where Rashad was a drama student and Smallwood was deeply involved in music.

Though their disciplines rarely intersected, one particular Sunday changed everything.

Rashad recalls a time when academic music programs were strictly Eurocentric.

Spirituals and gospel music were often dismissed or outright banned from formal performances.

She vividly remembers standing up boldly to challenge these norms, telling the dean that if it wasn’t Mozart or classical medicine, their voices wouldn’t be heard.

This was the cultural backdrop against which Smallwood’s pioneering work unfolded.

The defining moment came during the first presentation of the Howard University Gospel Choir in the Crump Auditorium.

Rashad describes the event as nothing short of historic.

The auditorium was packed, not just with students but with the matrons of Washington DC society, elegantly dressed and showing their support.

As the choir performed, the atmosphere shifted dramatically.

The crowd erupted with enthusiasm—minks were removed, hands raised, and women ran up and down the aisles in joyous praise.

This was more than a concert; it was a unifying experience that brought together the university and the wider community in worship.

Rashad highlights the choir’s impeccable harmony and rhythm, crediting Smallwood’s meticulous discipline and leadership.

His ability to seamlessly blend professionalism with heartfelt spirituality created an unforgettable sound and spirit of togetherness.

After graduation, Rashad’s career took her to New York’s theater scene, but the impact of Smallwood’s music stayed with her.

She recounts a difficult period when a friend gave her a tape featuring Smallwood’s song “I Love the Lord.”

This song became a source of strength and comfort, a testament to the enduring power of faith and music to uplift and sustain through life’s challenges.

Rashad also mentions Smallwood’s book, which offers insight into his life and spiritual journey.

She hopes more people will read it to hear his voice and understand the obstacles he overcame.

Through his work, Smallwood embodies the profound connection between remembrance, worship, and praise.

Her tribute underscores the transformative influence Smallwood has had—not only on gospel music but on the cultural and spiritual landscape.

Rashad’s words reveal deep gratitude and admiration for a man whose artistry and faith continue to inspire generations.

This heartfelt reflection serves as a reminder of the power of music to break barriers, unite communities, and nurture the soul.

It also invites us to appreciate the pioneers who paved the way for gospel music’s rightful place in both sacred and secular spaces.

As Rashad’s tears fall, they speak volumes about the legacy of Richard Smallwood—a legacy built on talent, faith, and the unshakable belief that music can be a force for healing and hope.