🤯 “They Made My Skin Crawl!” – 73-Year-Old Agnes Moorehead Finally Exposes the 5 Actors She Despised in Silence for Decades!

Agnes Moorehead was a woman of formidable talent, respected for her powerful performances and commanding presence.

Yet few realized the emotional toll her Hollywood journey had taken, or the behind-the-scenes battles she fought in silence.

Now, in what many are calling a late-life reckoning, Moorehead has finally revealed the five actors she couldn’t stand—and the stories behind her hatred are as disturbing as they are illuminating.

At the top of her list is Orson Welles, the cinematic genius who launched Moorehead’s career with Citizen Kane.

Though she owed much of her fame to Welles, Moorehead reportedly harbored deep resentment toward his arrogant demeanor and domineering personality.

She described him as a “brilliant tyrant,” praising his intellect but condemning his treatment of colleagues.

“Working with Orson was like walking on broken glass in velvet shoes,” she reportedly said.

His perfectionism, constant revisions, and lack of regard for emotional wellbeing made filming a psychological battlefield.

Coming in second is Montgomery Clift, a tortured soul and Method actor who clashed with Moorehead on more than one set.

While Clift’s fans adored his vulnerability and depth, Moorehead saw only chaos and self-absorption.

Their on-set dynamic was explosive, with Moorehead accusing Clift of being “unreliable, emotionally manipulative, and a walking time bomb.

” Sources close to the actress suggest she believed Clift’s unchecked addictions and constant mood swings undermined the craft and endangered the entire cast during production.

Next on her blacklist is Anne Baxter, Moorehead’s co-star in several stage and screen productions.

What began as mutual admiration quickly devolved into bitterness as the two actresses vied for the same spotlight.

Moorehead reportedly felt Baxter was “calculating, jealous, and two-faced,” going as far as to suggest that Baxter had tried to sabotage her performances.

One insider claimed Moorehead once stormed off set, declaring, “I refuse to act opposite a snake in rouge.

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The fourth name shocked fans the most: Dick York, her long-time Bewitched co-star.

To viewers, Moorehead and York shared on-screen chemistry, playing mother-in-law and son-in-law with comedic brilliance.

But according to Moorehead, the friction was real—and far from funny.

She claimed York was “consistently late, difficult to work with, and had a martyr complex that sucked the energy out of every room.

” Their working relationship was so strained that Moorehead allegedly lobbied for his replacement behind the scenes, celebrating privately when Dick Sargent stepped in.

Rounding out the list is Errol Flynn, the swashbuckling heartthrob of Hollywood’s Golden Age.

Moorehead had one short but unforgettable collaboration with Flynn—and she never wanted to see him again.

“He reeked of liquor, ego, and entitlement,” she once commented.

His offhand remarks and crude jokes reportedly left Moorehead feeling humiliated and disgusted.

To her, Flynn represented the toxic masculinity that defined so much of early Hollywood—a relic she was glad to leave behind.

Moorehead’s confessions have sparked a storm of reactions across the internet, with some fans applauding her honesty and others shocked by her candor.

Her legacy as an actress remains untarnished, but her late-in-life revelations have added new dimensions to the Hollywood myths we thought we knew.

It’s worth noting that Moorehead was known for her professionalism, which makes her critiques all the more significant—these weren’t petty feuds or diva outbursts, but long-harbored truths she believed needed to be told.

What drove her to speak now? According to sources close to the actress, Moorehead had grown tired of the “sanitized versions” of Hollywood history.

“She wanted people to understand that success often came at the cost of dignity and respect,” one friend confided.

It was not about vengeance, they said—it was about truth.

And in her eyes, the truth was overdue.

Despite the vitriol she harbored toward certain colleagues, Moorehead’s career flourished across film, stage, and television.

Her Emmy and Golden Globe nominations, her commanding performances in The Magnificent Ambersons and Hush…Hush, Sweet Charlotte, and her unforgettable work on Bewitched are etched into entertainment history.

But behind the accolades lay scars she carried quietly, and now, courageously revealed in her final years.

One of the most surprising revelations in her tell-all was not just the list of names, but the subtle clues she had left throughout her career—interviews where she avoided praising certain co-stars, suspicious absences from cast reunions, and cryptic quotes that only now make sense in hindsight.

Her posthumous memoir, scheduled for re-release next year, promises to dive even deeper into these conflicts, offering firsthand accounts and correspondence that may confirm everything she’s claimed—and possibly name even more enemies.

In the end, Moorehead’s story is a stark reminder that behind every smile on screen, there may be a storm brewing.

Her willingness to unveil that storm at 73 is a rare act of defiance against the glossy illusions of fame.

And whether fans agree with her judgments or not, one thing is certain: she’s made sure that Hollywood won’t forget her truth anytime soon.