John Candy, one of Canada’s most beloved entertainers and a comedy legend, passed away suddenly at the age of 43 in 1994.
Three decades later, his longtime friend and collaborator Eugene Levy has finally opened up about their friendship, the unforgettable moments they shared, and the profound impact Candy had on his life and career.
Levy’s heartfelt reflections offer fans a rare glimpse behind the scenes of a friendship that shaped some of the most cherished moments in comedy history.
John Candy and Eugene Levy first met in the 1970s at Toronto’s famed Second City comedy troupe.
Candy’s infectious grin, larger-than-life personality, and generous heart made him the life of the party, while Levy’s subtle wit and gentle humor provided the perfect complement.
Together, they honed their craft, testing bold comedic ideas and developing a chemistry that would define their careers.
When *SCTV* (Second City Television) launched in 1976, Candy and Levy quickly became pillars of the show.
Their sketches, ranging from the poker-loving Schmen brothers to celebrity impersonations, captivated audiences and helped *SCTV* become a serious rival to *Saturday Night Live*.
But beyond their on-screen brilliance, it was Candy’s warmth and kindness off camera that left a lasting impression.
Levy recalls fondly how Candy would bring the entire crew together for dinners, often promising roast turkey that hilariously took hours to cook.
These moments of camaraderie and laughter deepened their bond, which extended far beyond the spotlight.
Candy frequently called Levy just to share a new joke or check in, demonstrating a genuine care for those around him.
After *SCTV* ended, Candy and Levy continued to delight audiences with their unique comedic chemistry in films.
One of their earliest collaborations was the 1984 romantic comedy *Splash*, where Candy played Freddy, the fun-loving older brother, and Levy portrayed the awkward scientist Walter Cornblath.
Their contrasting styles—Candy’s explosive energy versus Levy’s dry humor—created unforgettable scenes that had audiences roaring with laughter.
They teamed up again in *Armed and Dangerous* (1986), an action comedy where Candy’s wild, spontaneous antics perfectly balanced Levy’s calm, exasperated persona.
A memorable moment from the film saw Candy’s character comforting Levy’s with the line, “We’re going to be okay,” a touching reflection of their real-life friendship.
Other collaborations included *Going Berserk* (1983), where Candy personally invited Levy to join the cast, and *Once Upon a Crime* (1992), which Levy directed and cast Candy in the lead role.
Levy praised Candy’s honesty as an actor, saying, “He wasn’t acting. He was living in the role.”
Their partnership was built not just on talent but on a deep understanding and respect for each other’s strengths.
John Candy’s talent went far beyond making people laugh.
He was an actor capable of conveying profound emotion and vulnerability.
In *Planes, Trains and Automobiles* (1987), Candy’s portrayal of Dell Griffith, a lonely shower curtain ring salesman, culminated in a deeply moving airport monologue that silenced the entire set.
Levy remembers watching Candy deliver the scene and realizing he was witnessing an artist at work.
Candy’s role as Uncle Buck in the 1989 family comedy further cemented his place in the hearts of audiences.
His clumsy, carefree character was both hilarious and deeply endearing, embodying the warmth and love of family.
In *Cool Runnings* (1993), Candy showed his inspirational side as Irv Blitzer, the coach of a Jamaican bobsled team, blending humor with humanity.
Levy reflects on Candy’s ability to connect with audiences, saying, “People loved John because he was real. He was himself both on and offscreen.”
Candy’s performances created a bridge between comedy and genuine emotion, making his work timeless.
On March 4, 1994, the world was shocked by John Candy’s sudden death from a heart attack while filming *Wagons East* in Mexico.
At only 43, Candy’s passing was a devastating loss for his family, friends, and fans worldwide.
Levy recalls the moment he learned the news, saying, “I got the call early in the morning. I just sat there. Couldn’t believe it.”
The loss was deeply felt among the *SCTV* family, including Catherine O’Hara and Martin Short, who struggled to put their grief into words.
Fellow actor Richard Lewis, who had spoken with Candy just hours before his death, fell into a year-long depression, describing Candy as “the kindest person I’ve ever met.”
Candy’s family faced the difficult reality of life without him.
His wife Rosemary and children Jennifer and Christopher found solace in the outpouring of love from fans around the world.
Christopher Candy shared that his father often worried about his health but always put others’ happiness before his own.
Thirty years after his death, John Candy’s legacy continues to shine brightly.
His films remain beloved classics, regularly watched on platforms like Netflix and cable television.
From his cameo in *Home Alone* to his iconic roles in *Spaceballs*, *The Great Outdoors*, and *Planes, Trains and Automobiles*, Candy’s presence still brings joy and comfort to audiences.
Candy’s family keeps his memory alive, with daughter Jennifer Candy often receiving messages from fans who credit her father’s performances with helping them through difficult times.
A documentary about Candy’s life and career, co-produced by Jennifer, is slated for release in 2026, ensuring new generations will learn about his impact.
Fans have also rallied for a statue to be erected at Canada’s Walk of Fame, where Candy was honored in 1998.
Each year on the anniversary of his death, flowers and letters are left at his star, a testament to the lasting affection for the man who made so many laugh and feel.
One of the most poignant revelations from Eugene Levy’s recent reflections is the story of *The Magic Hour*, a heartfelt film project John Candy was nurturing before his death.
The script, completed in 1993, was a romantic comedy about an awkward middle-aged man searching for love after years of loneliness—a story close to Candy’s heart.
Candy envisioned the film as a blend of laughter and tears, a true reflection of his comedic and emotional range.
He had even written a role specifically for Levy and discussed casting Daryl Hannah as the female lead.
Unfortunately, the demands of filming *Wagons East* forced Candy to shelve the project, and his untimely death left *The Magic Hour* unfinished.
Jennifer Candy is now working to revive the project as a tribute to her father, with Levy’s full support.
He describes the potential film as “John’s final gift to us,” a way to celebrate the warmth, humor, and humanity that defined Candy’s life and work.
For Eugene Levy, John Candy was more than a co-star or collaborator; he was a brother and a source of endless joy.
Levy’s recent interviews and reflections reveal the depth of their friendship and the profound loss he still feels. “John never really left,” Levy says.
“He’s still here in our laughter, in the memories we carry.” Through Levy’s stories, fans gain a deeper appreciation of the man behind the smile—a talented, generous soul whose impact transcended comedy.
Watching a John Candy movie today is more than entertainment; it’s a way to keep his spirit alive.
His laughter, kindness, and genuine heart continue to inspire, reminding us why he remains one of the most cherished figures in comedy history.
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