Michael Jackson’s SECRET List of Celebrities He HATED — You Won’t Believe Who’s On It

Let’s start with the most legendary rivalry in pop history: Michael Jackson vs. Prince.

These two dominated the ’80s, but instead of friendship, their relationship spiraled into icy tension.

Jackson didn’t appreciate being constantly compared to Prince and made it clear—”I don’t like to be compared to Prince at all.

” Things got messier during a 1983 James Brown concert where Prince embarrassed himself with a failed stunt after Michael had already wowed the crowd.

Jackson not only laughed at the fall, he reportedly tried to buy the footage to ensure Prince would never live it down.

That’s next-level petty.

Then came the infamous “Bad” duet-that-never-was.

Michael wanted Prince to collaborate on the track, but the opening lyric—“Your butt is mine”—confused and repulsed Prince.

“Who’s singing that to who?” he asked.

Prince declined, and reportedly insulted Jackson in a follow-up meeting, calling him “Camille.

” The rivalry lasted decades, fueled by media hype, creative clashes, and silent jealousy.

Michael may have admired Prince’s talent, but he clearly did not like him.

Next on the list: Paul McCartney.

What began as a wholesome bromance ended in a brutal business betrayal.

The pair collaborated on hits like “Say Say Say” and “The Girl Is Mine,” and McCartney even schooled Michael on the value of music publishing.

Big mistake.

In 1985, Jackson outbid Paul for the rights to the Beatles catalog—including Paul’s own songs—for $47.

5 million.

Paul felt gutted.

He didn’t just lose a business opportunity—he felt he lost a friend.

Michael brushed it off as a smart investment, but Paul saw it as a stab in the back.

They never worked together again, and McCartney later said he was “betrayed and disappointed” by someone he once trusted.

The drama only intensified within Jackson’s own family.

Germaine Jackson, Michael’s older brother, spent decades battling resentment.

Germaine felt overshadowed, especially after Michael’s solo stardom exploded with Thriller.

Tensions boiled over in 1991 when Germaine dropped “Word to the Badd,” a savage diss track accusing Michael of losing himself to fame.

“You’re not the same… you’re chasing fame,” he rapped—lyrics that cut deep.

Michael, notoriously private, was devastated by the betrayal.

Their relationship would never fully recover, and though they remained brothers, the emotional scar ran deep.

The next name might surprise you: Tommy Mottola, the powerful Sony Music executive who oversaw Michael’s Invincible album.

Their working relationship turned into an all-out war in 2002 when Jackson accused Mottola of racism, exploitation, and sabotage.

Standing beside Al Sharpton at a press conference, Michael called Mottola “devilish” and accused him of intentionally under-promoting Invincible.

It was a bold and risky move that shook the industry.

Sony denied the claims, but the fallout was irreversible.

Michael’s days with the label ended soon after, and Mottola himself left Sony just a year later.

Another quiet but sharp conflict simmered between Michael and Madonna.

They were photographed together, admired each other’s talent, and were once the king and queen of pop.

But that’s where the harmony ended.

In 1992, Madonna asked Michael to sing on “In the Closet,” a sensual track for her Erotica album.

Jackson rejected it, calling it too provocative.

Madonna was irritated by his squeaky-clean image.

Michael, in private, called her “not nice,” “attention-seeking,” and someone he simply didn’t respect.

Meanwhile, Madonna later described him as eccentric, childlike, and hard to relate to.

The two icons never feuded publicly, but behind the scenes? Ice cold.

Even Quincy Jones, the legendary producer behind Off the Wall, Thriller, and Bad, couldn’t escape the fallout.

Their collaborations made history, but behind the scenes, tensions simmered.

Quincy later accused Michael of being greedy with songwriting credits and called him “stubborn.

” Jackson felt Quincy downplayed his role in the creative process, and after Bad, the two parted ways professionally.

Quincy’s posthumous interviews only made it worse—fans were stunned when he publicly aired their creative conflicts, something Michael would’ve never done.

The feud with boxing promoter Don King was more about family than fame.

King co-produced the 1984 Jacksons’ Victory Tour, which Michael only agreed to do out of loyalty to his brothers.

But King’s chaotic management style, coupled with outrageous ticket prices, embarrassed Jackson.

Things hit a boiling point when King accused Michael—publicly—of pulling away from his family.

Jackson was furious.

The final straw? He announced during the tour that it would be his last with the Jacksons.

The tour made money, but emotionally, it was a disaster.

Michael cut King out of his life for good.

And finally, the most unspoken feud of them all may have been with the music industry itself.

Michael often felt targeted—by executives, critics, even the media.

His paranoia wasn’t entirely unfounded.

From endless legal battles to invasive press, he believed he was under attack.

He once said, “They don’t care about us,” a message he channeled directly into his lyrics.

His deep mistrust of the industry, particularly after the Invincible era, only grew.

He felt misunderstood, exploited, and ultimately betrayed by a system he helped define.

In the end, Michael Jackson was a complex figure—brilliant, fragile, and deeply human.

Behind the glitz, he held grudges, felt betrayal, and took things to heart in a way most stars try to hide.

These feuds weren’t just celebrity gossip—they were personal battles that shaped his music, his decisions, and his legacy.

Whether he was snubbed by family, outbid by a “friend,” or undermined by execs, Michael never forgot.

And while he rarely retaliated in public, the scars of these rivalries ran deep.

So the next time you hear Thriller or see that moonwalk, remember: behind that smile was a man who fought battles the world barely knew.

And now? We’re finally seeing the receipts.