At 77, Randy Meisner Named The Top Seven Musicians He Hated
At 77, Randy Meisner, the legendary bassist and founding member of the Eagles, surprised fans by revealing a deeply personal and brutally honest list: the top seven musicians he disliked most throughout his career.
Known for his gentle demeanor and soft-spoken nature, Meisner’s revelation came as a shock to many who had always seen him as the quiet heart of one of rock’s most iconic bands.
But after decades in the industry, he decided it was time to share some truths he had long kept to himself.
Though he didn’t name names out of spite, Meisner explained that the list was shaped by years of behind-the-scenes tension, creative differences, and ego-driven clashes that left lasting impressions.
He emphasized that the music industry isn’t always the glamorous world it appears to be.
In his words, “Sometimes the people with the loudest applause are the hardest to work with behind closed doors.”
Meisner pointed out that some of the musicians on his list were immensely talented but difficult collaborators, often dismissive or controlling during studio sessions.
In other cases, it wasn’t just about music—it was personal.
He recalled moments of betrayal, broken promises, and situations where trust was tested and ultimately lost.
What stands out, however, is that Meisner didn’t use his list to spread bitterness; rather, he shared it as a way to reflect on the challenges of maintaining integrity in an industry often ruled by ego.
While fans may never know all the names on his list—Meisner chose to keep a few identities private out of respect—his openness offered a rare look at the emotional toll that fame and long-term artistic conflict can take.
Even after all the tension and personal disappointments, Meisner said he doesn’t hold grudges.
Instead, he hopes that by sharing his truth, others might see the value in speaking up, setting boundaries, and staying true to oneself in a competitive world.
Meisner’s confession, while surprising, only added to his legacy as a deeply human artist—one who, even in his later years, wasn’t afraid to be real.
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