i I had a liver transplant and was um at
one particular point um before I had the
transplant I was very close to death and
teen star Shelley Fabberus had it all
her hit song Johnny Angel beat the
Beatles on the charts she starred with
Elvis in three movies then everything
crashed in 1994 she fell through her own
floor breaking every rib on her left
side doctors discovered a hidden illness
destroying her liver the only option was
a transplant for 22 months she waited
not knowing if she’d live or die what
happened next changed everything shelley
Fabarz was born on January 19th 1944 in
Santa Monica California her father came
from New Orleans and her mother would
later be diagnosed with Alzheimer’s in
1988 but the biggest influence on Shel’s
life wasn’t her parents it was her aunt
nanette Fabre a Broadway and television
star had already won a Tony and three
Emmys before Shelley even got started
watching her aunt’s success gave Shelley
a front row view of what a life and show
business could look like it didn’t seem
like a dream it seemed possible by age
three Shelley was already modeling her
mother saw her potential and put her in
front of a camera in 1947 shel’s older
sister Nanette who they called Smokey
also did modeling but didn’t stick with
it shel on the other hand had something
special she looked young for her age
that meant she could keep playing
younger roles while other kids were
aging out of the business it gave her
more time to stay in the spotlight at
just 10 years old Shelley made her
television debut it was 1954 and she
appeared in Letter to Loretta that
single episode opened the floodgates
over the next few years she showed up in
Captain Midnight Annie Oakley Fury and
Colgate Theater then came a major
opportunity in Producers Showcase
Shelley got to act alongside Frank
Sinatra and Paul Newman for a kid that
was unheard of she also appeared in a
live version of Weathering Heights
proving she could handle serious
material by 1958 she had a major role in
Disney’s Zanette appearing in 15
episodes shelley wasn’t just another
child actor anymore she was becoming a
known name film roles followed in 1955
she appeared in The Girl Rush it was
uncredited but it got her on a movie set
the next year she played Susie Parker in
Never Say Goodbye she was only 12 but
her name was finally in the credits that
same year she also showed up in The Bad
Seed and Rock Pretty Baby though still
without credit in 1957 she acted in Jean
Eagles as just Teenage Girl again no
credit it kept happening small parts
often without recognition but each one
taught her something in 1958 she landed
roles in Marjgery Morning Star and
Summer Love things were building slowly
but steadily then came the break in 1958
at just 14 Shelley landed the role of
Mary Stone on the Donna Reed Show it
changed everything she went from
part-time roles to full-time stardom the
show ran for 191 episodes and Shelley
was there for most of them suddenly she
was a teen idol she wasn’t just acting
anymore she was becoming a cultural
figure her casting in the show wasn’t
typical by the time she auditioned she
had already sung with Frank Sinatra and
acted on national television that wasn’t
normal for a 14-year-old but Shelley
wasn’t normal she had been working since
she was three her aunt Nanette was
already famous she knew the industry
inside out she was young but she was
ready behind the scenes something deeper
was happening shelley and Donna Reed
developed a close bond it wasn’t just
co-stars it was almost family shelley
later said Donna was like a second
mother donna helped her grow not just as
an actress but as a person one day Donna
said “Why don’t you call me Donna
instead of Miss Reed?” Shelley was
shocked raised in Catholic school she
was used to formality it took her a
while to get used to it but it showed
how close they had become shelley Fabber
never planned to become a singer but in
late 1961 the network had other plans
they decided her character should sing
on the show and Shelley had no choice
but to go along that’s how she ended up
in a recording booth scared and
surrounded by top musicians she stood
next to Darlene Love and the Blossoms
who were real backup singers guitarist
Glenn Campbell drummer Hal Blaine and
basist Carol Kay played behind her
legends even then shelley could barely
believe it she admitted later “I never
could sing.” The producers knew it too
they flooded her vocals with echo to
cover her weaknesses especially in the
repeated line “Johnny Angel.” The song
aired on the show in early 1962 no one
expected much shelley certainly didn’t
but something wild happened just weeks
later on April 7th Johnny Angel hit
number one on the Billboard Hot 100 it
stayed on the chart for 15 weeks it also
topped the Cashbox chart and hit number
one in Canada and New Zealand even in
the UK where another singer had already
covered it Babaris’s version reached
number 41 over a million copies sold it
earned a gold disc all from someone who
never wanted to sing at all critics
called her voice warm soft and coated in
echo some even said her version beat the
professionals because of its sweetness
and innocence it didn’t sound bold or
confident but maybe that’s why it worked
the label rushed out another single in
May
1962 Johnny Loves Me was released it was
written by Barry Man and Cynthia While
and told the story of the same girl
finally winning Johnny’s Heart it didn’t
reach the same heights but still climbed
to number 21 on Billboard and number
seven on the adult contemporary chart in
Canada it reached number 24 shelley
followed up with The Things We Did Last
Summer which reached number 46 all of
these songs went on her second album
with the same title she didn’t perform
live much which was common at the time
for TV stars turned singers most
appearances were lip-sync anyway her
producers kept the sound the same dreamy
soft drenched in echo the songs were
meant for teenagers and they worked her
music didn’t challenge the charts for
long but it stayed in the memory of fans
who heard it at the time then came the
albums shelley was under contract with
Culpix’s Records and had to release
fulllength records her first was called
Shelly and by
1963 she had a third album out called
Teenage Triangle but behind the scenes
she wanted out the schedule was brutal
most shows today film around 22 episodes
per season the Donna Reed Show filmed 39
every year for 5 years straight shelley
was working almost non-stop from age 14
to 19 she even had to take classes on
set to keep up with school it was a
factory-like grind and it left little
room for teenage freedom after five
seasons Shelley made a bold move she
left the official reason was to go to
college but the truth was more
complicated she’d been pushed into a
music career she didn’t want she was
exhausted her departure wasn’t easy she
did return for seven more episodes in
later seasons but the damage had been
done for the next four years she
couldn’t get work hollywood moved on
shelley waited she believed the right
time would come again and eventually it
did when Shelley Farez showed up to film
Girl Happy in
1965 she had only been married for 17
days her new husband was producer Lou
Adler but it was Elvis Presley who
greeted her on set she was nervous at
first but the moment they met that
changed shel said it felt like they’d
known each other forever not in a
romantic way but something clicked elvis
already knew her work he’d seen her on
the Donna Reed Show and he knew her hit
song Johnny Angel which had gone to
number one back in 1962 he made her feel
comfortable from the start their
chemistry was obvious even the crew
noticed him critics would later say her
sweet innocent vibe worked perfectly
next to Elvis in Girl Happy she played
Valerie Frank the daughter of a Chicago
mobster elvis was hired to watch over
her during spring break in Fort
Lauderdale it was a light fun movie but
it was more than that it was the
beginning of something real between them
not love but a friendship that would
last through three movies in three years
the next year they were back together in
Spin Out shot between February 21st and
April 7th
1966 shelley played Cynthia Fox Hugh a
spoiled rich girl whose father owned a
racing company this time Elvis’s
character Mike McCoy had three love
interests Shelley Diane McBain and
Deborah Wall-E that could have made
things awkward but it didn’t in fact
Carl Betts who had played Shel’s father
on the Donna Reed Show was cast as her
father again in Spin Out that familiar
face helped ease the tension on set the
movie was a hit with fans part of that
was the chemistry between Elvis and the
women all three brought something unique
and none of them faded next to him elvis
was paid
$750,000 for the film plus 40% of the
profits that kind of money showed just
how powerful his name still was members
of his Memphis Mafia would later say
that Shelley was the only co-star who
could match Anne Margaret’s energy that
wasn’t a small compliment anne Margaret
had been Elvis’s favorite by 1967 when
Clambake started filming things had
changed elvis had gained weight up from
170 lb to 200 he was upset with the
direction of his career the scripts were
getting worse the roles more predictable
a studio executive ordered him to slim
down that’s when he started using diet
pills which would haunt him for years on
that set Shelley wasn’t just a co-star
she was a listener a confidant they
talked privately for hours in trailers
and dressing rooms one day he told her
something he hadn’t told almost anyone
that he was going to marry Priscilla
Bolio when he left the room and told the
others “I told her,” they were stunned
many of them hadn’t even known but he
trusted Shelley clambake became a
turning point elvis’s frustration with
the movies was boiling over he had been
compared to James Dean once but instead
of serious roles he was stuck doing
forgettable scripts by then Shelley
wasn’t just an actress beside him she
was someone who understood the real man
someone who saw the cracks behind the
smile even though they worked so closely
together their relationship stayed
strictly platonic that wasn’t always the
case with Elvis and his co-stars colonel
Tom Parker Elvis’s manager often
encouraged fake romances to help sell
tickets it had worked with Anne Margaret
in Viva Las Vegas and helped boost her
fame but Shelley and Elvis didn’t play
that game she later said their
friendship was real and honest he didn’t
have to perform with her there was no
pressure to flirt no headlines to chase
and maybe that’s why he trusted her so
much years later Shel looked back on
that time with both warmth and sadness
she saw what fame had done to him i just
ache for what happened with him she said
she knew he had made some bad choices
but she also understood why he had gone
from being a 19-year-old boy in Tupelo
Mississippi to the biggest star in the
world almost overnight she remembered
one moment in the MGM cafeteria elvis
peaked through the door and the entire
room ran toward him “what was it like?”
she asked “to be that boy and have that
happen a hundred times more?” He never
stood a chance the pressure the
isolation the expectations it all
chipped away at him shelley Faberes had
been working in show business since she
was just three years old but in the late
1960s everything came to a sudden stop
she once said “I went to bed on Tuesday
having worked since I was three i got up
Wednesday morning and didn’t work for 4
years.” That wasn’t just a dry spell it
was a full-blown career crisis the
cheerful image that had once made her
famous no longer fit with the changing
times audiences wanted something deeper
and more serious vietnam politics and
rebellion were shaping pop culture
shel’s sweet and innocent screen
presence didn’t stand a chance she later
admitted she didn’t take risks she was
scared to reinvent herself afraid to do
something bold i should have been more
aggressive she said that fear probably
cost her some big opportunities but
eventually she started working again
slowly her comeback began with a guest
role on the show Manx it wasn’t a big
part but it was a step forward after
that she kept appearing in shows like
The Ghost and Mrs mure Daniel Boone and
Medical Center each one helped rebuild
what she had almost lost in 1968 right
in the middle of all this struggle she
starred in a movie called A Time to Sing
with Hank Williams Jr the film was
supposed to boost both their careers but
it didn’t work out shelley played Amy
Carter and Hank played Grady Dodd a
young farmer drawn into music against
his uncle’s wishes the plot didn’t make
much sense and critics tore it apart it
got a weak 5.4 four out of 10 on IMDb
one reviewer called it idiot plotting
where every character made decisions
that just didn’t add up even though it
was produced by Sam Catsman who had a
history of success with teen movies this
one flopped it failed to impress both
the audience and the critics during
these years Shelley took any role she
could get she jumped from one guest spot
to another she was seen in Lancer
Bracken’s World and The Interns after
her role in Manx she appeared in Long
Street Mloud Owen Marshall Cades County
and Love American Style but no matter
how many roles she played Hollywood
still saw her as Mary Stone the teenager
from the Donna Reed Show that image
followed her like a shadow one standout
role came in
1974 on the Rockford Files she played
Jolene Highland the wife of an embezzler
who had stolen over $4 million her
character hired Jim Rockford to track
down
$750,000 in rare stamps her husband had
bought it was a grown-up part with
twists betrayal and criminal schemes for
once Shelley wasn’t just the nice girl
she was sharp driven and layered it
showed she could handle more mature
roles but Hollywood still kept her boxed
in by the early 1980s Shel’s career was
still moving but life behind the scenes
was changing even more she didn’t file
for bankruptcy but there were hints of
financial stress in 1983 she took a role
in a TV movie called Memorial Day that’s
where she met Mike Frell the actor known
from
MASH they fell in love and married in
1984 not long after they bought a modest
house in Sherman Oaks frell later called
it their honeymoon house it wasn’t fancy
but it was theirs shelley Fab never
expected her life to change at a simple
CBS convention in 1982 she had been
through a tough divorce from Lou Adler
mike Frell also newly divorced from Judy
Frell was just another familiar face at
the event they had met once before back
in 1970 but it meant nothing then this
time something clicked a casual coffee
turned into something deeper when Mike
invited her to see his photography work
one year later over a quiet meal at a
health food restaurant in Topanga Canyon
Mike proposed shelley said yes they got
married on August 21st 1984 in a small
ceremony at her aunt’s house that aunt
was actress Nanette Fabre the years that
followed were not easy both had children
from previous marriages both were
healing from old wounds but they made it
work quietly and steadily in 1989
Shelley landed the role that would
redefine her career christine Armstrong
on coach it was a surprise win nearly
200 women had auditioned many were
younger abc executives didn’t think she
fit the part but producer Barry Kemp
pushed hard he believed Shelley was the
perfect mix of sharp funny and strong he
was right at first coach didn’t draw
much attention it ranked just 62nd
shelley joked that only six people were
watching but then ABC moved it to air
after Roseanne ratings shot up suddenly
millions were tuning in on screen
Shelley and Craig T nelson looked like
the perfect match but behind the scenes
it wasn’t always smooth craig’s acting
was unpredictable shelley preferred
order one day during episode 11 after
too many retakes they had a long talk in
her dressing room it lasted 2 hours they
cleared the air from that moment their
dynamic shifted their on-screen
chemistry became real their characters
married in the show’s 100th episode
aired in May
1993 success followed shelley earned two
Emmy nominations in 1993 and
1994 they were the only ones of her
adult career for someone who had started
acting at age three who had once starred
in the Donna Reed Show the recognition
came late but felt right the Young
Artist Foundation even honored her with
a lifetime achievement award her
proudest work was no longer behind her
but just as things were at their best
everything changed in 1994 that year
Shelley fell through a hole in her home
floor during renovations the fall
shattered every rib on her left side she
was 50 the pain was unbearable recovery
took months still she kept working on
coach at the time everyone thought it
was just a horrible accident but
something worse was coming after the
fall her doctors ran routine tests her
liver enzyme levels were dangerously
high no one knew why more tests followed
more confusion it took years before
doctors finally diagnosed her with
autoimmune hepatitis her immune system
was attacking her liver medications
helped for a while but the damage
continued she felt exhausted all the
time sometimes she slept 20 hours a day
her husband Mike was worried shelley
stayed strong in public but inside she
was falling apart then in early 1999 the
hidden crisis exploded at home without
warning Shel suffered a massive
esophageal bleed blood vessels in her
throat burst open she was rushed to
Cedar Sinai doctors told her the worst
her liver was failing medication could
no longer help only a transplant could
save her in April 1999 she was placed on
the transplant list for the next 22
months her life was a waiting game every
day was uncertain every time her pager
went off she hoped but many times it was
a mistake each false alarm crushed her
she grew weaker still she waited the
call came just after midnight on October
23rd 2000 after 22 long stressful months
on the transplant list Shelley Fabber
finally heard the words she had been
waiting for we have your liver it was Dr
john Verling on the phone for Shelley
and her husband actor Mike Ferrell the
moment didn’t feel real they had been
through several false alarms before
times when the transplant pager went off
only for it to be a wrong number each
time had been terrifying shelley once
said “We honestly thought we might die
of stress before we ever got the
transplant by the time the real call
came Shel was in bad shape she could
barely stay awake i wasn’t in pain,” she
said later “but I was just so tired i’d
wake up thirsty try to get up for water
then think no I’m more tired than I am
thirsty,” and go back to sleep at that
point she and Mike knew how serious it
had become more than half the people
waiting for liver transplants never get
one in time her medical problems had
started years earlier and not in the way
anyone expected in 1994 Shelley fell
through the floor of her home while it
was under construction she broke all the
ribs on her left side during routine
testing after the accident doctors
noticed something strange her liver
numbers were off the charts they
couldn’t explain why for years medicine
kept her stable though her numbers were
still too high then in early 1999 she
suffered a terrifying esophageal bleed
she was rushed to Cedar Sinai Medical
Center that was the turning point
doctors told her the bleed came from
liver failure medication wasn’t enough
anymore and another bleed could be fatal
she needed a transplant to survive the
operation finally took place in October
2000 it saved her life though the exact
details of the surgery aren’t public the
cause of her liver failure was later
found to be an autoimmune disorder her
recovery wasn’t easy the body doesn’t
bounce back quickly from such a major
surgery she had to rebuild strength deal
with constant fatigue and carry the
weight of everything she had been
through what helped her get through it
was Mike shelley called him her lifeline
he was there for every doctor’s
appointment she said “He was with me
every step of the way some marriages
fall apart under pressure like this
theirs didn’t it only got stronger.”
Shelley later said “We became closer i
don’t know how I could have made it
through without him.” Shelley never
forgot that the transplant was only
possible because another family lost
someone they loved she once said she was
always aware that she was living on
borrowed time the weight had been brutal
22 months filled with fear uncertainty
and hope though she didn’t talk publicly
about her donor she spoke often about
her deep gratitude organ transplants
come with complicated emotions you’re
alive but someone else isn’t that
reality never left her the mental toll
was heavy too while Shelley didn’t
publicly talk about PTSD studies show
that 46% of liver transplant patients
experience severe stress after surgery
up to 45.8% 8% suffer depression many
feel anxiety that lingers long after the
physical scars heal shelley admitted the
experience changed her completely even
though life has returned to some degree
of normaly she said “I’m a different
person what I care about and how I see
life it’s all changed.” By 2003 3 years
after her transplant she had gained some
distance but the memories and emotions
were still there i’m grateful for my
life grateful for my doctors grateful
for what I’ve learned she said but most
of all I’m grateful for my husband still
despite all the growth and strength she
found Shelley was honest about the cost
i wouldn’t wish this experience on
anyone shelley Fabis didn’t start out as
an activist she was a famous actress
known for her work in TV and film but
everything changed when Alzheimer’s hit
her family her mother Elsa was diagnosed
in the early 1980s shelley didn’t know
it at first but her mother had already
spent years quietly donating to
Alzheimer’s research she had even told
Shel’s sister that if she ever got the
disease she’d rather take her own life
but by the time doctors diagnosed her it
was too late she didn’t remember what
she’d once said elsa battled Alzheimer’s
for nine long years in 1992 she passed
away the loss hit Shelley hard but
instead of turning away she turned her
pain into purpose since
1988 before her mother even died she had
already started volunteering for the
Alzheimer’s Association she stayed
committed she became one of their
national spokespeople this wasn’t just
about awareness shelley wanted change
and she didn’t stop at speeches or
charity events she went straight to
Washington between 1998 and 2004 she
testified before Congress four times she
spoke about the pain the need for help
and the importance of funding research
she didn’t hold back her words made an
impact during a Senate hearing in 2001
Senator Tom Harkin pointed to her
earlier testimony as a turning point the
numbers prove it the NIH’s budget for
Alzheimer’s research jumped from $38
million in 1996 to $520 million in 2001
shelley kept fighting she used her fame
not for fame’s sake but to push for
something bigger she once said “I love
being an actress but with the work I’m
doing for Alzheimer’s I feel this is
what I’m supposed to be doing on this
planet.” And she meant it what started
as a family tragedy became her life’s
mission
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